This event looks very good, free, great music and performances in Berlin. Wish I could attend.

Performances by
Echo Ho (DE/CN), Mario de Vega (MX), Alex Nowitz (DE), Ignaz Schick (DE)

Thursday, 26.01.2012
8pm – Performances from 9pm
Free Entry (or donate what you like)

Following the first event event of the BodyControlled series, BodyControlled #2 focuses on the idea of incompatible matter. While BC #1 was organized around the concept of “other spaces”, using the specific architecture at LEAP and provoking it in order to synthesize new environments, BC #2 combines space and sound.

Through exploring the physical reality of sound-instruments and objects, complex acoustic spaces emerge. Sound of any kind – vocals, instruments, vibrations – become a material themselves, a hybrid. Creating Matter-Incompatible, the exhibition focuses on searching for the hidden materiality of acoustics, where distinguishing between live-produced sound and mechanically generated playback becomes a challenging self-observation.

All performances will be available from 20.00 CET via live stream on
http://bit.ly/uXRgyq

Facebook-Event BodyControlled #2 “matter-incompatible”: on.fb.me/AmEtO9

Artist links:
Echo Ho – http://www.echoho.net/
Mario de Vega – http://www.mariodevega.info/
Alex Nowitz – http://nowitz.de/, http://www.steim.org/projectblog/?p=3715
Ignaz Schick – http://www.zangimusic.de/, http://www.myspace.com/ignazschick

LEAP
Lab for Electronic Arts and Performance
(Berlin Carré, 1. Stock)
Karl-Liebknecht-Str. 13
10178 Berlin

info@leapknecht.de
www.leapknecht.de

How to find LEAP: http://bit.ly/pqTAJi
LEAP Facebook Page: http://on.fb.me/uxfyT2

SCANZ 2013: THIRD NATURE
Call for projects

The concept of a third space – a zone of hybridity – traverses the cultural landscape from the writing of Homi Bhabba in the mid 1990s, to Sony advertising (see hypertext.rmit.edu.au/dac/papers/meguire.pdf). Hybridity is now embedded in creative and
cultural production and consumption.

A space of hybridity can assimilate potentially any set of concepts. SCANZ2013 3rdNature seeks to develop a fresh space, carrying memes from previous SCANZ events (which have all had an emphasis on environment) and other Intercreate projects that have involved
scientists, indigenous peoples and artists working together. We are aiming to build new knowledge and establish legacies around this work, unencumbered by old perspectives and distant categories.

We ignore the environmental crisis at our own peril. Integrating the indigenous perspective, creative environmental and scientific views on the environment is essential for continued human habitation of the planet. From these trajectories it is possible to conceive of a fresh hybrid space, composed of overlapping elements.

We ask tangata whenua, artists, technologists, teachers, environmentalists, scientists, philosophers, educationalists,
indigenous peoples, technologists and lecturers to contact us with ideas for talks, discussions, presentations, residency projects,
exhibition ideas for gallery space and a botanic garden. And to join us on the weekend of January 1st- 3rd, 2013 at a hui to share
knowledge and build resources.

Important Dates:
Early expression of interest: February 12,
2012
Residency proposed dates: Saturday 19 January to Monday 4
February,2013
Symposium proposed dates: February 1-3, 2013

Call
This is a call for project concepts for the fourth SCANZ residency to be held in New Plymouth, New Zealand early in 2013. Planned are: a two week residency and Open Lab beginning with a one night stay over at historic Owae marae, an exhibition at Puke Ariki museum, four projects in a local botanic garden, a Pecha Kucha night and a three day symposium with a presentation evening on the middle night.

3rd NAURE THEMES
This project involves creativity and innovation at the intersection of three critical interfaces:
*Acknowledging the environmental crisis
*Engaging with Maori and indigenous peoples
*Engaging the Sciences and Hybrid Arts

These three intersecting dialogues together provide space for a 3rd Nature, a fresh space for engaging with new knowledge and approaches vital to a sustainable civilisation.

Possible Activities
Exhibition projects – in Puke Ariki Museum
Residency projects at the Western Institute of Technology, Tarinaki (WITT) campus
Projects in Pukekura Park Botanic Garden
Workshops at WITT campus or local environs including the beach and parks
Symposium papers and presentations
Pecha Kucha Night
Open Lab at WITT campus

Find here further info about the application process.

April 12-15, 2012 @ CCRMA, Stanford University

http://lac.linuxaudio.org/2012/

Online submission of papers, music, installations and workshops is now open! On the website you will find up-to-date instructions, as well as important information about deadlines, travel, lodging, and so on. Read on for more details!

We invite submissions of papers addressing all areas of audio processing based on Linux and open source software. Papers can focus on technical, artistic or scientific issues and can target developers or users. We are also looking for music that has been produced or composed entirely or mostly using Linux and other Open Source music software.

The Deadline for all submissions is January 11th, 2012

The Linux Audio Conference (LAC) is an international conference that brings together musicians, sound artists, software developers and researchers, working with Linux as an open, stable, professional platform for audio and media research and music production. LAC includes paper sessions, workshops, and a diverse program of electronic music.

The upcoming 2012 conference will be hosted at CCRMA, Stanford University, on April 12-15. The Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University is a multi-disciplinary facility where composers and researchers work together using computer-based technology both as an artistic medium and as a research tool. CCRMA has been using and developing Linux as an audio platform since 1997.

http://ccrma.stanford.edu

Stanford University is located in the heart of Silicon Valley, about one hour south of San Francisco, California. This is the first time LAC will take place in the United States.

http://www.stanford.edu

We look forward to seeing you at Stanford in April! Sincerely,

The LAC 2012 Organizing Team

SLE introduces Inventors Composers Coaction 2012

**Extended deadline for submissions Friday 20th January 2012**

The Inventor Composer Coaction is a novel project designed to facilitate collaboration between composers and developers of bespoke digital or electronic instruments, for the creation of new music. It will take place at the Department of Music, University of Edinburgh, during the first half of 2012.

We invite inventors of new musical instruments to submit examples of their work. These will be displayed online, creating a public archive of new electronic instruments. The submissions will be reviewed by a group of upcoming and established postgraduate composers, at the University of Edinburgh. The composers will each select an instrument by way of a voting process. Over a three month period they will compose a new work for the instrument and professional ensemble, assisted through close communication with the inventor. The compositions will be performed in a concert of new music, Edinburgh, in 2012.

We invite submissions of new digital or electronic instruments for Inventors Composers Coaction 2012, an interdisciplinary collaborative project and concert. These will be reviewed by participating composers, at the University of Edinburgh, who will be able to vote for three instruments in order of preference. Inventors of the selected instruments will be provided with one night’s accommodation in Edinburgh in order to attend the event (April 2012 – to be confirmed), as well as a small contribution towards travel costs. Selected participants may be invited to present a short talk on one aspect of their creative practice.

Instruments may be:

purely software (e.g. built in Max/MSP, Supercollider, Pd) augmented instruments, including software, sensors etc. mobile devices that make use of smartphone technology novel hardware devices, repurposed controllers, NIMEs etc. may involve spatialisation techniques.

Please see http://www.inventorcomposer.net for submission details.
Deadline 6th January 2012.

Artist in residence 2011 - Suspended Reality by Sebastian Mahaluf

WHO: International Artists
WHAT: 1-3 month residency
WHERE: APO33, Platforme Intermedia – Nantes, FRANCE
WHEN: Mid April – May or August – October 2012

APO33 a not-for-profit association/artists collective founded in 1997 in Nantes, France. APO33 research practices cross philosophy, poetry, visual, architecture, sonic arts and anything else that may arrive through collaborative working. APO33 projects often use networked and physical spaces, develop tools (hardware/software) for its creative projects and the FLOSS (Free/Libre Open Source Software) community of artists and programmers.

RESIDENCY: APO33 invites artists annually to develop new work in situ. The resident will have the opportunity to work towards an exhibition, presentation, experimentation reflecting on these working methods and forms of collaboration, depending on the proposal. The residency usually entails two levels of development: a first preparation stage (approximately 1 month) installation, performance … or to realise a performance project or architectural construction and a second stage where space is open to the public (visit, participate and feedback). APO33 will provide technical assistance to artists and expert assistance to those using digital media open to exploring FLOSS software and programming tools. In addition artists are invited to give a public talk around their practice and project at APO33. We will give preference to those applicants with a strong desire to exchange and collaborate with the APO33 project as a whole.

APO33 will provide accommodation, pay travel costs, sustenance and a small production budget. http://www.apo33.org

HOW TO APPLY:
Send a PDF* with the following information included to: apo33.proposal2012@gmail.com
FULL NAME (+ ALIAS if applicable)
EMAIL
COUNTRY & CITY OF RESIDENCE
DESCRIPTION OF PROJECT
MOTIVATION
TECHNICAL REQUIREMENTS
URL
ANY OTHER INFORMATION IN SUPPORT OF YOUR APPLICATION

*PDF should be no more than 2MB

DEADLINE: 9 DECEMBER 2011

Rodrigo Costanzo, a Spanish-American avid performer based in Manchester is teaching a free circuit bending workshop. All you have to do is bring along what you want to hack!

“If you want to sign-up or drop in, check it out:

Title: Circuit Bending Workshop
Location: MadLab
Description: If you’ve ever wanted to get into circuit-bending or DIY electronics in general, this circuit-bending workshop, presented by The Noise Upstairs, will give you an introduction into the art of bending. Over the course of two sessions you will learn some basic electronics and soldering, and end up with your very own circuit-bent toy!
*You must provide the toy and components yourself.”

Start Time: 13:00
Date: 2011-11-26
End Time: 16:00

http://www.thenoiseupstairs.com/2011/11/circuit-bending-part-2/
http://www.rodrigoconstanzo.com
http://www.madlab.org.uk

The Xth Sense (XS) is a free and open source based technology; as such, its free distribution is an integral aspect of the research.
In this workshop participants build their own XS biosensor and learn how to generate interactive music from the muscle sounds of their bodies.

Winter workshops schedule:

• 7o Simposio Internacional del Posgrado en Artes Visuales
  3,4,5,7,10 November at the UNAM, Universidad Nacional Autonoma in Mexico City,
  Info and registration;
• CultureLab
  21-25 November, Newcastle, UK;
  Info and registration;
• Matadac Festival
  12-15 December, Madrid, ES.

The Xth Sense is a novel, biophysical system that enables a performer to control and process interactive music generated in real time from her muscle sounds.
This research and the related model of biophysical music was presented to the Asian academic community on 22nd October in occasion of the SICMF/KEAMS 2011. The engagement was endorsed by Creative Scotland.
A related paper “Xth sense: a biophysical framework for the application of muscle sounds to interactive music performance” will be published soon in the Computer Music Journal Emile Vol. 9 (December, 2011).

Info:

In this workshop you will build your own low budget hydrophone with adjustable pre-amp. Ideal for beginners.
A hydrophone is a microphone designed to be used underwater for recording or listening to underwater sound.
Once the amp and hydrophone are complete we will then do some field recordings of near by canals, from a canoe. Participants take part in the canoeing at their own risk. No life jackets provided.

Date and Location:
Sunday 16th October 2011
1pm – 6pm
nnnnn, Unit73a, Regent Studios, 8 Andrews Road, Hackney, London. E8 4QN

Booking:
Workshop cost is £15 which covers all materials and participants take home their hydrophones at the end.

Register by sending an email to ryan@nnnnn.org.uk and pay online here http://nnnnn.org.uk/doku.php?id=low_budget_hydrophone_and_canoeing_workshop#booking

Baltic sea by Romtomtom on Flickr | CC License

Art&HENVI – Open call for artists to work with the Helsinki University Centre For Environmental Research
Deadline October 14th 2011

Art&HENVI is organized by the Finnish Society of Bioart in collaboration with the Helsinki University Centre For Environmental Research (HENVI) in the context of the World Design Capital Helsinki 2012.

We are looking for three artists or artist groups who are interested and capable of working along one of three newly started research groups of HENVI over the period of one year:

*Forests and Climate Change
http://www.helsinki.fi/henvi/research/ForestClimateChange.htm

*Ecosystem services and sustainable urban development (ENSURE)
http://www.helsinki.fi/henvi/research/ENSURE.htm

*Multidisciplinary Baltic Sea- Research (MULTIDOM)
http://www.helsinki.fi/henvi/research/MULTIDOM.htm

The artists will work as part of the research groups and are encouragedto produce an artistic project as result of their investigation.
The results of the interdisciplinary collaboration will be presented in fall 2012 in the context of the World Design Capital Helsinki 2012.
Each artist/group will receive an initial grant of 3000.- Euro.
Additional support will be acquired during the production phase.

Application deadline October 14th 2011
Send your application via email to: erich.berger@bioartsociety.fi
or via mail to: Finnish Society of Bioart, Kalevankatu 31 A, Ylähuone,
00100 Helsinki Finland
Date of post stamp counts (latest 14th of October).

Required are:
* Application statement / letter of motivation
* Biography
* CV
* a portfolio with selected works

The selection of the artists will be strongly based on the artists ability to work independently in interdisciplinary environments as well as the quality and thematic orientation of previous works. The notification of the results will be end of October 2011 and project start November 2011. The jury will be composed of members of the Finnish Society of Bioart, HENVI and international experts. We welcome international applications but want to point out that on-site presence (for some time is) is essential.
More details at http://bioartsociety.fi

////////////////////////////////

FREE DOWNLOAD:http://www.sinewaves.it/s3p.html

I forward a message by Chris McCormick to the Pd list.

Via .microsound-announce list

http://empac.rpi.edu/events/2011/spring/lopez/
PERFORMANCE
Francisco López: Hyper-Rainforest
Friday-Saturday, April 28-30, 2011, 8 PM
Concert Hall
$15/10/5

+ Website: http://www.franciscolopez.net/
+ Wiki: http://en.wikipedia.org/wiki/Francisco_López_(musician)

Libpd Patch by Patrick Sébastien

Marco Donnarumma | Xth Sense New Work Development Residency | Inspace, Edinburgh 2011

Music for Flesh II – solo piece for Xth Sense biosensing wearable device from Marco Donnarumma aka TheSAD on Vimeo.

/// Xth Sense.
The Xth Sense is a low cost, Open Source-based framework for the application of muscle sounds to the biophysical generation and control of music (or more generally for responsive milieux).
The framework includes a low cost biosensing wearable device, and a modular DSP software (Pure Data-based) for real time capture, analysis and design with muscle sounds.
Marco Donnarumma will be reporting on the methods used during the research, present findings and issues, perspective outcomes of future research, while discussing the aesthetic criteria underpinning the research.

Further info and live performance reel: http://res.marcodonnarumma.com/projects/xth-sense/

Donnarumma is a performer, new media and sonic artist.
He’s currently interested in critical analysis and development of experimental paradigms for embodied interaction in performative environments.
http://marcodonnarumma.com

/// Among the other invited speakers:
Ricky Graham (Ulster), Dennis Fischer (Ableton), Gregory Taylor (Cycling ’74), Jeff Burke (UCLA), Alex Beim (Tangible Interaction), James Alliban (Augmatic), Katsuyuki Shibata (Fukuoka University).

/// About Imagine Create:
Imagine Create is a digital arts festival which brings together a leading-edge line-up of talents and minds from the worlds of art, design, new media and software development.
Expect five days of inspirational talks, demonstrations, panels, exhibits and performances delivered by the people and tools transforming digital culture.
The biennial event will take place at locations around the city of Derry~Londonderry and runs from 29 March to 2 April 2011.

For further information please visit the festival website http://www.imaginecreate.info

Face to Facebook | Paolo Cirio and Alessandro Ludovico | 2011

Newstweek: The Thorough Demonstration from newstweek on Vimeo.

Here you are the latest release by noise artist Noish~.

This is a free work, you can copy, distribute, and modify it
under the terms of Yves Degoyon's license

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

the noise published here can be studied,
modified, used by anyone that
provides all the original credits
and sources in derivative projects.

there are restrictions on its use,
it cannot be used for :

* military amd/or repressive use
* commercial installations and products
* any project that promotes : racism, nationalism, xenophobia, sexism,
homophobia, religious hatred or missionarism .. ( expandable list)

this is not a standard license.

sevy.

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

“You are 4.3 billion kilometres away from the nearest human, what would you like to do?”

Naked on Pluto is a Multiplayer Text Adventure Game on Facebook. You wake up on Pluto, in a city under the rule of Elastic Versailles revision 14, a corrupted Artificial Intelligence and former entertainment colony. It used to be the Las Vegas of the Solar System, a true paradise for consumers and corporations alike. Until something snapped… What happened and how to escape?

Versailles is a capital of convenience, a non stop 24hr zone of endless pleasure, provided by Pluto’s huge entertainment corporations. Amuse yourself and your friends for hours on end collecting meaningless tokens, talking to our bland robots, or simply relax and take in the staggering conformity of your new home. Take absolutely no notice of the areas you aren’t allowed to go into, even if it were possible to break out of the zone around the Palace, why would you possibly want to – or indeed why change the core structures of this world when they have been so excellently taylored to fit your every desire?

The game explores the limits and nature of social networks from within, slowly pushing the boundaries of what is tolerated by the companies that own them, carefully documenting this process as we go. Story and play are combined with an investigation on how exposed we are on social networks, and how our data are being used.

Naked on Pluto is developed during a shared residency at NIMk, BALTAN Laboraties and Piksel, between June and November 2010, by Dave Griffiths, Aymeric Mansoux and Marloes de Valk. The project is licensed Copyleft.

The research and development process is documented and can be followed on http://pluto.kuri.mu and http://facebook.com/is.so.convenient

The game can be played on http://naked-on-pluto.net

Naked on Pluto is also part of the international touring exhibition Funware now on show until January 16, 2011 at MU Eindhoven.

Netherlands Media Art Institute
Keizersgracht 264
1016 EV Amsterdam
T 020 6237101
F 020 6244423
http://www.nimk.nl

Facebook: http://www.facebook.com/NIMk.Media.Art
Twitter: http://twitter.com/NIMk_nl
Flickr: http://www.flickr.com/photos/nimk
YouTube: http://www.youtube.com/user/NIMkartchannel
Media Art Platform: http://www.mediaartplatform.nl

]]> http://www.thesaddj.com/naked-on-pluto-multiplayer-text-adventure-game-on-facebook/feed/ 0 http://www.thesaddj.com/claudius-maximus-z%e2%86%92z%c2%b2c-released-on-gosub10-netlabel/ http://www.thesaddj.com/claudius-maximus-z%e2%86%92z%c2%b2c-released-on-gosub10-netlabel/#comments Thu, 11 Nov 2010 18:40:54 +0000 Marco Donnarumma http://www.thesaddj.com/?p=1789 via Pd announce list

Claudius Maximus’s latest work made with Pure-data is available, including the source code so you can make your own generative fractal music:

http://gosub10.org/GOSUB10-003.html

The Mandelbrot set is possibly the world’s most famous fractal. z→z²+c is a series of sonifications, focussing on the periodic attractors found almost everywhere within the Mandelbrot set. Given just two real numbers (forming one point in the complex plane), dynamic patterns can emerge as the one simple equation governing the system is repeated over and over: z→z²+c

The source code for this release (implemented in Pure-data using GridFlow and zexy) is free software distributable under the terms of the GNU General Public License (version 3 or greater).

Copyleft: This is a free work, you can copy, distribute, and modify it under the terms of the Free Art License.

Released on 17th October 2010.

Track listing:

1. ClaudiusMaximus – The Military-Industrial Complex
2. ClaudiusMaximus – After The Despoilment
3. ClaudiusMaximus – Race Against Time
4. ClaudiusMaximus – Before Civilisation

Dedicated to innovative music and audio/visuals, the GOSUB10 label will feature an eclectic group of musicians drawn together by their shared use of Free/Libre/Open Source Software (FLOSS). Freely distributed by stream, download and special DVD releases, and made available through an open license, GOSUB10 is run by the GOTO10 collective – an international group of artists, musicians and programmers, dedicated to FLOSS and digital arts. Brought to life in a intensive four day work sprint but years in the making, the GOSUB10 netlabel is a natural extension of GOTO10’s activities supporting and promoting digital art alongside FLOSS tools through workshops, festivals, exhibitions, writing, and more.

http://gosub10.org
http://claudiusmaximus.goto10.org

]]> http://www.thesaddj.com/claudius-maximus-z%e2%86%92z%c2%b2c-released-on-gosub10-netlabel/feed/ 0 http://www.thesaddj.com/libpd-an-embeddable-sound-engine-for-android-ios-c-java-and-more/ http://www.thesaddj.com/libpd-an-embeddable-sound-engine-for-android-ios-c-java-and-more/#comments Fri, 05 Nov 2010 13:47:33 +0000 Marco Donnarumma http://www.thesaddj.com/?p=1782

Computer Music made by Pure Data bangs | Unknown

via Pd announce list

libpd has reached a 0.1 release, enabling developers to use Pd as a sound engine in their applications. Out of the gate, we have extensive code samples for Android 1.5 and later, plus the basic tools to work on iOS (recent armv7 recommended for now, with other devices soon). In the near future, embedding Pd patches inside tools like Processing/Java, OpenFrameworks/C++, and Python should be just as easy. The library is based on Pd vanilla, so this is not a fork of Pd; you can use patches in it just as you would in any other version.

Developers will find the library, code snippets (for Android; iOS is coming), and even some handy abstractions:
http://gitorious.org/pdlib/

To learn more:
Article on the release at createdigitalmusic:
http://bit.ly/libpdishere

Group for discussing Pd on mobile, embedded, and using libpd:
http://noisepages.com/groups/pd-everywhere/

End users with Android phones or tablets can try out packages now:
http://gitorious.org/pdlib/pages/Packages
… in addition to patches from Chris detailed in the CDM post above.

libpd available is thanks to the work of Peter Brinkmann, with testing, further development, documentation, and other contributions from the RjDj team (who are now adopting it in their future development work), Hans-Christoph Steiner, Chris McCormick (who has also added the ability to make HTML5 web interfaces), and Peter Kirn, along with members of the NYC Patching Circle at NYC Resistor.

]]> http://www.thesaddj.com/libpd-an-embeddable-sound-engine-for-android-ios-c-java-and-more/feed/ 0 http://www.thesaddj.com/high-spheres-participatory-soundscape-concert-re-new-festival-2010/ http://www.thesaddj.com/high-spheres-participatory-soundscape-concert-re-new-festival-2010/#comments Tue, 02 Nov 2010 21:04:31 +0000 Marco Donnarumma http://www.thesaddj.com/?p=1778

High Spheres - Marco Donnarumma - Re-new Festival 2010

Paper-submission, call-for-music and registration are now open
for the Linux Audio Conference 2011 – May 6-8 2011, Maynooth, Ireland

More information: http://lac.linuxaudio.org/2011/

As in previous years, we will have a full program of talks, workshops
and music.

The Linux Audio Conference 2011 will include several concerts. We are
looking for music that has been produced or composed entirely or mostly
using GNU/Linux or other Open Source music software for:
* The Electroacoustic Music Concerts
* The Linux Sound Night
* Sound installations

]]> http://www.thesaddj.com/call-for-submissions-linux-audio-conference-2011-ireland/feed/ 0 http://www.thesaddj.com/invisible-suns-featured-on-dangerous-minds/ http://www.thesaddj.com/invisible-suns-featured-on-dangerous-minds/#comments Wed, 29 Sep 2010 22:38:19 +0000 Marco Donnarumma http://www.thesaddj.com/?p=1714

Marco Donnarumma | The Invisible Suns Project | Still | 2010

Thanks to Paul Gallagher for his brief but insightful description of my latest work Invisible Suns now featured on Dangerous Minds (via Mark MacLachlan).

Marco Donnarumma | The invisible suns project | Still | 2010

Pikslaverk Festival | Iceland | 2010

Hostile weather | Iceland | 2010

Reykjavik Art Museum | Pikslaverk Festival | Iceland | 2010

Servando Barreiro | Pikslaverk Festival | Iceland | 2010

Margrét Elisabet Olafsdottir & Aki Asgeirsson | Pikslaverk Festival | Iceland | 2010

Pall Thayer | Microcodes | Pikslaverk Festival | Iceland | 2010

Servando Barreiro | Pikslaverk Festival | Iceland | 2010

Goodiepal | Meta-talk | Pikslaverk Festival | Iceland | 2010

Marco Donnarumma | Pikslaverk Festival | Iceland | 2010 | Photo by Ser_

Linda Hilfling | Radical TV Democracy | Pikslaverk Festival | Iceland | 2010

Sky above us | Iceland | 2010

Servando Barreiro entering the Academy of Fine Arts | Iceland | 2010

Artwork? | Academy of Fine Arts | Iceland | 2010

Setting up the venue for the closing night | Pikslaverk Festival | Iceland | 2010

Performance | Pikslaverk Festival | Iceland | 2010

Mapping projections with FLxER | Pikslaverk Festival | Iceland | 2010

Martin Howse staring at the geysir | Iceland | 2010