April 12-15, 2012 @ CCRMA, Stanford University

http://lac.linuxaudio.org/2012/

Online submission of papers, music, installations and workshops is now open! On the website you will find up-to-date instructions, as well as important information about deadlines, travel, lodging, and so on. Read on for more details!

We invite submissions of papers addressing all areas of audio processing based on Linux and open source software. Papers can focus on technical, artistic or scientific issues and can target developers or users. We are also looking for music that has been produced or composed entirely or mostly using Linux and other Open Source music software.

The Deadline for all submissions is January 11th, 2012

The Linux Audio Conference (LAC) is an international conference that brings together musicians, sound artists, software developers and researchers, working with Linux as an open, stable, professional platform for audio and media research and music production. LAC includes paper sessions, workshops, and a diverse program of electronic music.

The upcoming 2012 conference will be hosted at CCRMA, Stanford University, on April 12-15. The Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University is a multi-disciplinary facility where composers and researchers work together using computer-based technology both as an artistic medium and as a research tool. CCRMA has been using and developing Linux as an audio platform since 1997.

http://ccrma.stanford.edu

Stanford University is located in the heart of Silicon Valley, about one hour south of San Francisco, California. This is the first time LAC will take place in the United States.

http://www.stanford.edu

We look forward to seeing you at Stanford in April! Sincerely,

The LAC 2012 Organizing Team

Drones in Din

The Pixelache Software of the Year 2012 title is this time given to din – din is noise.

din is a Free software musical instrument exclusively for the GNU/ Linux operating system made by the Indian programmer S. Jagannathan.
din – din is noise presents an innovative way of generating live music from a simple visual interface based on Bezier curves, and is a good example of how creative and DIY technologies can foster new approaches and solutions that escapes the leading rules of the software industry.

It forgets history,
To not repeat it.
It doesnt hide analog music hardware,
In digital music software.

You had pulse, sine, triangle and sawtooth,
And went forth and made electronic music.

Now there is just the Bezier curve.

Pixelache Software of the Year is an initiative by Pixelache Network, started in 2008. The chosen software for the first year was Animata, a live animation software by Kitchen Budapest. In 2010 it was divided between the live CD distributions pure:dyne by GOTO10 and APODIO by APO33.

More information:
www.piksel.no
www.pixelache.ac
din – din is noise: http://dinisnoise.org

Artist in residence 2011 - Suspended Reality by Sebastian Mahaluf

WHO: International Artists
WHAT: 1-3 month residency
WHERE: APO33, Platforme Intermedia – Nantes, FRANCE
WHEN: Mid April – May or August – October 2012

APO33 a not-for-profit association/artists collective founded in 1997 in Nantes, France. APO33 research practices cross philosophy, poetry, visual, architecture, sonic arts and anything else that may arrive through collaborative working. APO33 projects often use networked and physical spaces, develop tools (hardware/software) for its creative projects and the FLOSS (Free/Libre Open Source Software) community of artists and programmers.

RESIDENCY: APO33 invites artists annually to develop new work in situ. The resident will have the opportunity to work towards an exhibition, presentation, experimentation reflecting on these working methods and forms of collaboration, depending on the proposal. The residency usually entails two levels of development: a first preparation stage (approximately 1 month) installation, performance … or to realise a performance project or architectural construction and a second stage where space is open to the public (visit, participate and feedback). APO33 will provide technical assistance to artists and expert assistance to those using digital media open to exploring FLOSS software and programming tools. In addition artists are invited to give a public talk around their practice and project at APO33. We will give preference to those applicants with a strong desire to exchange and collaborate with the APO33 project as a whole.

APO33 will provide accommodation, pay travel costs, sustenance and a small production budget. http://www.apo33.org

HOW TO APPLY:
Send a PDF* with the following information included to: apo33.proposal2012@gmail.com
FULL NAME (+ ALIAS if applicable)
EMAIL
COUNTRY & CITY OF RESIDENCE
DESCRIPTION OF PROJECT
MOTIVATION
TECHNICAL REQUIREMENTS
URL
ANY OTHER INFORMATION IN SUPPORT OF YOUR APPLICATION

*PDF should be no more than 2MB

DEADLINE: 9 DECEMBER 2011

From http://giss.tv/wiki/index.php/Android_Streamer_:_Giss_Mp3 :
GISS Mp3 v 1.0.0

You should enter your stream parameters and type ‘Start’ to start your stream.

Enter the stream server parameters in the main screen, than go to ‘Stream quality’ screen and enter the parameters you request :

Name : name of the stream
Description : description of the stream
Genre : genre
More info : an url that describes more your project.
Then, click the ‘Start’ button and the stream should start.

On small android models, use a low value for recording ( 8000 Hz ), it has been tested with this value on an HTC Tattoo and was working fine.

To use this aplication, you need to respect the Terms Of Use of giss.tv.

There are restrictions on its use, it cannot be used for :
military and/or repressive use
commercial installations and products
any project that promotes : racism, nationalism, xenophobia, sexism,
homophobia, religious hatred or missionarism .. ( expandable list)

export CVSROOT=:pserver:anonymous@giss.tv:/home/cvs
cvs co GissMp3

Programme:

EXHIBITIONS @ Galleri 3,14, KNIPSU & Kafe Knøderen
http://www.piksel.no/p11/installations11

Gordan Savicic, Jenny Pickett, Julien Poidevin, Romain Papion, blablabLAB, Linda Hilfling, Andy Gracie, Dave Griffiths, Marloes de Valk, Aymeric Mansoux,  Mey Lean Kronemann, HsienYu Cheng, Wayne Clements, Danja Vasiliev, Ben Baker-Smith, Delia Cristina Gheorghiu, Paul Eugen Popescu, John Bowers, Aditya Zalewski, Marleen Andela, Eva van der Velden

The Impossible City, Be Your Own Souvenir!, City Fireflies, UKI game level one - infect the city

S∆G∆∆N, Wanda and Nova deViator, Alejandra Maria Perez, Luka Frelih, Christian Galarreta, APO33/ALOARDI, Cristiano Rosa, Daniel Llermaly, Oscar Martin Correa, Jason Glen Levine, Ryan Jordan, Gisle Fr0ysland, Brendan Howell, Marco Donnarumma, Malte Steiner, Agnese Trocchi, Federico Bonelli, Wendy Ann Mansilla, Paula Pin, Maria Mitsopoulou, Alex McLean, Jake Harries, Jørgen Træen, Elin Vister, Signe Lidén

din is noise, Streaming Experiences, A Popular Guide to Unpopular Cinema, LumiBots, Human Mobile Medium, Cube Cola Lab, Xth Sense, wearable, biophysical open source technology, ICECSTREAM – a new free software in the live streaming world!, Zero Dollar Laptop, Cámara Lúcida, Re-framing the World Wide Web, Ecology of Precariousness, Pueblo Nómade, Network Topology as a Site of Resistance

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Piksel11 – 17-20 nov. 2011
www.piksel.no
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The Xth Sense (XS) is a free and open source based technology; as such, its free distribution is an integral aspect of the research.
In this workshop participants build their own XS biosensor and learn how to generate interactive music from the muscle sounds of their bodies.

Winter workshops schedule:

• 7o Simposio Internacional del Posgrado en Artes Visuales
  3,4,5,7,10 November at the UNAM, Universidad Nacional Autonoma in Mexico City,
  Info and registration;
• CultureLab
  21-25 November, Newcastle, UK;
  Info and registration;
• Matadac Festival
  12-15 December, Madrid, ES.

The Xth Sense is a novel, biophysical system that enables a performer to control and process interactive music generated in real time from her muscle sounds.
This research and the related model of biophysical music was presented to the Asian academic community on 22nd October in occasion of the SICMF/KEAMS 2011. The engagement was endorsed by Creative Scotland.
A related paper “Xth sense: a biophysical framework for the application of muscle sounds to interactive music performance” will be published soon in the Computer Music Journal Emile Vol. 9 (December, 2011).

Info:

In this workshop you will build your own low budget hydrophone with adjustable pre-amp. Ideal for beginners.
A hydrophone is a microphone designed to be used underwater for recording or listening to underwater sound.
Once the amp and hydrophone are complete we will then do some field recordings of near by canals, from a canoe. Participants take part in the canoeing at their own risk. No life jackets provided.

Date and Location:
Sunday 16th October 2011
1pm – 6pm
nnnnn, Unit73a, Regent Studios, 8 Andrews Road, Hackney, London. E8 4QN

Booking:
Workshop cost is £15 which covers all materials and participants take home their hydrophones at the end.

Register by sending an email to ryan@nnnnn.org.uk and pay online here http://nnnnn.org.uk/doku.php?id=low_budget_hydrophone_and_canoeing_workshop#booking

It looks like another Pd User Group was born in Taipei!
Here’s the announcement.

Pd-Taipei is set up by a group of Pure Data users in Taipei, which aims to host regular gatherings to create a fun place where people can share their experience and trouble-shoot, just like Pd-Mtl in Montreal of Canada, Pd-Berlin in Berlin of Germany, Pd-La in the California of the United States etc.
Sign up today to learn more updates from the link of our online forum

http://groups.google.com/group/openlabtaipei

Gathering Time: 2011/10/01 Saturday AM11: 00
Location: 23Design (Chongqing North Road, Taipei, No. 25, Lane 3–5)

Another brilliant, punctual and aesthetically awesome work from RYBN.ORG.
The work is developed in Pd aka Pure Data and GEM.

Meta-economics or post-VR?

Unfortunately I can’t find a way to embed the video, so please see it here.

Excerpt from the official announcement:
“Globaleaks is the first Open Source Whistleblowing Framework.

It empowers anyone to easily setup and maintain their own Whistleblowing platform. It is also a collection of what are the best practices for people receiveiving and submitting material. GlobaLeaks works in all environments: media, activism, corporations, public agencies.

For the full release notice you can visit http://www.globaleaks.org/news

For all the links and information on the project http://www.globaleaks.org.

GlobaLeaks has been tested by more than 50 drunk Venetian hackers, here is a link the presentation given at the Italian Hacker camp ESC:
http://www.slideshare.net/globaleaks/globaleaks-live-launch-venice-2011.

And most importantly, please come and hack with use and let’s change the world! http://www.launchpad.net/globaleaks“.

Folks at the Open Hardware Summit just released this sweet call for submission to award one Open Hardware Scholarship.
They say “Where does the money come from? We had $2,000 USD left over from our funds last year and we thought the best way to use it is to give it back to the community.”
Lovely… just get your chance! I’ll probably apply too right now… even only to show some love to the initiative!

Here are the details.

“Do you have the next big Open Hardware idea, but just don’t have the funds for it?

The Open Hardware Summit (OHS) is announcing its first Open Hardware scholarship this year! The purpose of the OHS scholarship is to support emerging artists/inventors and developers by providing funding for works that are released as Open Source Hardware. Granting these funds is an opportunity to draw attention to the Open Source Hardware movement, to give back to the DIY community, and to give you the chance to join a growing roster of gamechangers in Open Source Hardware history. If you have a project that is in the spirit of the OHS and supports the OHSW definition, we welcome your submissions.

PRIZE
Upwards of $2000 will be awarded. The scholarship is made available by the generous individuals and sponsors who have made the Open Hardware Summit possible.

PUBLIC VOTE
The winner will be chosen by the public. All projects will be viewable online and votes will be collected during the week of the summit. People will be able to vote on their favorite project remotely or onsite. A check will be presented to the winning artist/group at the conclusion of OHS on September 15th at the New York Hall of Science

INSTRUCTIONS
1. upload a 30 second (maximum) video clip to youtube that showcases the concept of your project. The title of the video MUST be the title of the work

2. include a short paragraph in the description of the video. Your description must start with the following sentence, and go on to explain your project in less than 500 characters.
Example:
“The following project is a submission to the Open Hardware Scholarship awarded by the Open Hardware Summit 2011.
Project title: …
Project Description:..”

3. email the following information to scholarship@openhardwaresummit.org :

name of artist/collaborative group
email address
place of resident (city, state/province, country)
title of project
summary of project (500 characters max)
URL of video clip
URL of project site that includes your application of the OSHW Definition (optional)
DEADLINE
For submissions is 12:01am, September 14th EST. NO EXCEPTIONS

NOTES:
Please feel free to email scholarship@openhardwaresummit.org if you have any questions.”

Frédéric Voisin | somGemPd | 2005

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Piksel11
November 17-20 2011
Bergen, Norway
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Piksel is an international event for artists and developers working with
Free/Libre and Open Source technologies in artistic practice. Part workshop, part festival, it is organized in Bergen, Norway,and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies & art.
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FREE DOWNLOAD:http://www.sinewaves.it/s3p.html

Libpd Patch by Patrick Sébastien

01 0xA – Winter_Solstice
02 0xA – 0903-4
03 0xA – Nandsynth
04 0xA – Moving_Souf
05 0xA – Cafe_Kuroshio
06 0xA – Family_Mart

Dedicated to innovative music and audio/visuals, the GOSUB10 label will feature an eclectic group of musicians drawn together by their shared use of Free/Libre/Open Source Software (FLOSS).
Freely distributed by stream, download and special DVD releases, and made available through an open license, GOSUB10 is run by the GOTO10 collective – an international group of artists, musicians and programmers, dedicated to FLOSS and digital arts. Brought to life in a intensive four day work sprint but years in the making, the GOSUB10 netlabel is a natural extension of GOTO10′s activities supporting and promoting digital art alongside FLOSS tools through workshops, festivals, exhibitions, writing, and more.

http://gosub10.org

SCREENPLAY represents contemporary audiovisual art with special focus on generative or cinematographic performance as well as performance involving live-camera-feedback.
SCREENPLAY shows an eclectic selection of artists who explore aestetic principles on the frontiers of new technologies, interactive story-telling and the interplay of audio and video.

Donnarumma will present some of his works, all deploying self-designed, Pure Data-based software, eventually focusing on the ongoing research project for biophysical live media ‘Xth Sense’.
http://res.marcodonnarumma.com/projects/xth-sense/

Marco Donnarumma | Xth Sense New Work Development Residency | Inspace, Edinburgh 2011

Music for Flesh II – solo piece for Xth Sense biosensing wearable device from Marco Donnarumma aka TheSAD on Vimeo.

Do Sinusoid dream of electric sweeps | IOhannes Zmoelnig | Liwoli 2010

Blinddate Mtl

• Libraries and externals extending Pd
• Tools built in or for Pd
• Education
• Spatialisation
• Pd on mobile devices
• Pd embedded in games and applications
• Pd as a framework for audiovisual works

Pd’er David Doukhan just released cw_binaural~. It looks a very useful and well coded implementation for Pd lovers, I’m going to give it a try asap.
Follow the announcement by David.

*the use of any hrtf database (listen, cipic, …)
* the simultaneous use of different hrtfs
* the choice of the interpolation method used (all pass/pure delay decomposition for better ITD estimation or no decomposition)
* the length of the HRIR considered
* the filtering method (spectral, temporal)
* the method used for the pure delay