I gladly announce the publication of Vague Terrain 15: .microsound, including my piece Sand Horyzon – a composition excerpt of live improvisational computing in Pd using an augmented electric bass guitar.
The whole release brings you two compilations of fine experimental music, text and videos created by the community behind .microsound list (which has just celebrated its ten years) and selected by american composer Kim Cascone.
As Kim states in his article:

“The .microsound community, drawing from areas as discontinuous as Gilles Deleuze, Curtis Roads and the Aphex Twin, is a ‘body without organs’ in Deleuzian parlance; an amorphous object, a fluid changing shape as its poured into different containers…”
“…In order to bracket the various styles of sound art and music I used the Deleuzian concepts of ’smooth space’ and ’striated space.’ Striated space is where I put all the pieces that made use of gesture and beats while ’smooth space’ is where I put pieces that made use of texture and internal movement. But within those two categories what constitutes a .microsound-sounding piece becomes blurred…”

About .microsound: “.microsound is not a “genre” mailing list, since this proliferation has occurred largely without regard for stylistic boundary. instead, .microsound presents itself as a forum for the discussion and exploration of a more general “digital aesthetic” manifesting across a wide variety of styles and disciplines — from academic computer music to post-industrial noise to experimental ambient and post-techno.”

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“Vague Terrain is a web based digital arts publication that showcases the creative practice of a variety of artists, musicians and scholars. The project aspires to apply the focus and methodologies of academic and art journals and the tenacity and specificity of independent record labels to examine contemporary digital culture in an immediate and accessible manner. Content consists of curated visual, audio and written works, and now a companion blog. For better and worse this project is neither peer reviewed nor funded.
All work on this site is published under an Attribution-Noncommercial-Share Alike Creative Commons License unless otherwise noted.”
From http://vagueterrain.net/about

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Read the whole article about the publication and get your free copy of the work: http://vagueterrain.net/journal15
You’re also warmly invited to check the .microsound mailing list and its numerous not-only sound art projects here http://www.microsound.org/

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Featuring text & video contributions by Ben Neill, Charles Turner, Dextro, Joanna Demers, Pere Villez, Thanos Chrysakis, Thomas Bey William Bailey and William L. Ashline.

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Feature audio contributions from Mike Rooke, Lubrication, Ronnie Cramer, [ruidobello], Richard Lainhart, sound art, TomDjll, Brett Ian Balogh, Scant Intone, Yota Morimoto, Jorge Castro, Joaquin Gutierrez Hadid, Francesco Rosati, Asferico, Water Falls, Yann Novak, John Hanes, Epoch_Collapse, Jhenner Gayap Benadrilled, Skjølbrot, Markus Jones, Jon Hawken, Adern X Fades 4:38, Julien Ottavi, Vanessa Rossetto, Kim Cascone, Larnie Fox, eddie135, Di.J Crisis, shg, Cheryl E. Leonard, Noe Cuellar, Gary R. Weisberg, Osvaldo Cibils, Kotra, Gintas K, John Kannenberg, Ricky Pannowitz, ocp, TheSAD, Margaret Schedel, Pereshaped, so/on, Eric Miller, Nux Vomica, v4w.enko, UmanoidSomeday, Epoch Collapse, Umanoid and Noe Cuellar.